Author: Diane Tibert

Critical Drinker Inspires a Wins vs Losses List

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Shortly before Christmas, I stumbled upon the Critical Drinker, a YouTube critic mostly of films, but he critiques books at times, too. The Drinker is Will Jordan, author of Redemption: Ryan Drake 1. I’ve watched several of his videos for both the entertainment and insight in to how movies were constructed or, in many cases, how they were poorly constructed. As a writer, he comments on character development, plot and other aspects of story building.

His dissection of the three recent Star Wars movies is brutal. I am a huge fan of the original Star Wars trilogy – Star Wars, Empire Strikes Back and Return of the Jedi – and his critiques tell me the new movies are ones I never want to see. In fact, they should be burnt. The stories trampled over our heroes of the past and are extremely disrespectful to their legacy. While I didn’t think it would be as bad as it was, I had an inkling of what was to come.

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The Over-used Trope for Character Development

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Over the weekend, I watched Good Will Hunting. No, I’ve never seen the movie before even though it was released in 1997. That was the year I was working 40 hours a week at a garden centre, giving birth to my first child and settling into a new house, so I didn’t watch much of anything.

Throughout the movie, I was waiting for the inevitable. I say inevitable because many of the books I’ve read and the movies I’ve watched the past 20 years have used death to jolt the main character out of their ‘destructive’ daze and into change for the better. I’ve seen it so many times, I can often pick which character will be sacrificed for the good of character development. If it’s a character I’ve invested emotion in, I pull back before the death, knowing it’s coming. If I’m unaware, it feels like a betrayal by the writer.

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My 2020 Goals are About Writing and Living

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Today, my mother turns 92 years old. She never thought she’d see this age, yet here she is. Like many of us, we are never aware of what we’re capable of doing. We just do it.

2020 is a transition year for me. There are things that must be done, and only by working off property will I accomplish them. So, this spring, I plan to begin working 40 to 50 hours a week, which will take me away from writing in the short term, yet will deliver me closer to a few long-term goals I want to accomplish in the next five years.

Much like when I worked at the garden centre a few years ago, this job will be physical (my favourite type), and I’ll be outdoors most of the time. It will chew up most of my time from April to December. Then I’ll be free to write through winter again.

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A Look Back at 2019

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Eye on the DestinationIf I had to wrap up the year 2019 in one word, that word would be Unexpected.

While many things I expected to happen happened, there were many unexpected things that happened that had never before happened. They were a mixture of good and bad. All I can say is I survived intact, and it’s time to sum them up and keep moving forward.

On January 7th of last year, I posted my epic goal challenge. Here they are exposed like the bare rocks on the seashore.

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Editing the Crutch Word Could

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Healing Stones coverDecember has been unexpectedly busy outside my writing life, so I’ve not completed all I planned this month. That includes releasing Healing Stones, book 4 in the Castle Keepers series. The final edits are taking place. It will be released near the end of January.

One of the many edits of a manuscript includes searching for specific words to see if I’ve overused them. These are often called crutch words. A selection of these crutch words are filter words, words that show the story through the lens of a character instead of allowing the reader to experience the story first hand.

Filter words include ‘heard’, ‘felt’, ‘watched’ and ‘noticed’. For a more detailed explanation of filter words, check out my post: Filter Words: Who Knew? Not me.

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Automatic Writing or the Genius Named Jack

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Twice within 24 hours this week, I was told, “Like automatic writing.” The first time someone said that was how I wrote, I considered it, but didn’t act to learn more about it. I assumed it was another term for those who wrote without using an outline, a writer who could let the creative juices flow and write that story quickly.

When someone else, unrelated to the first conversation said it, I had to look into it further. I’d never heard of automatic writing. Was it something new? Or something old but had recently made the headlines?

But let’s rewind a bit. My discussion previous to this comment was on writing a story and not knowing where that story was going. While I joked about the genius in the wall named Jack, who hung over my shoulder and told the story for me to record it, it’s actually what happens most days. For a few years, I’ve been saying that I’m not actually creating the story; I’m recording events that have already happened in another time and realm. At least that’s how it feels when I write my Castle Keepers epic fantasy series.

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J. R. R. Tolkien: Evoking Secondary Belief

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I love ‘ah-ha’! moments especially when I find an explanation for something I’ve been trying to explain for years. In this case, the reason I write the stories I write has been answered by someone who also writes fantasy novels: J. R. R. Tolkien.

While I do not write in the same style of Tolkien, our goal is the same: to tell a story that evokes Secondary Belief (a belief up until yesterday, I had not heard about).

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