Critical Drinker Inspires a Wins vs Losses List

Shortly before Christmas, I stumbled upon the Critical Drinker, a YouTube critic mostly of films, but he critiques books at times, too. The Drinker is Will Jordan, author of Redemption: Ryan Drake 1. I’ve watched several of his videos for both the entertainment and insight in to how movies were constructed or, in many cases, how they were poorly constructed. As a writer, he comments on character development, plot and other aspects of story building.

His dissection of the three recent Star Wars movies is brutal. I am a huge fan of the original Star Wars trilogy – Star Wars, Empire Strikes Back and Return of the Jedi – and his critiques tell me the new movies are ones I never want to see. In fact, they should be burnt. The stories trampled over our heroes of the past and are extremely disrespectful to their legacy. While I didn’t think it would be as bad as it was, I had an inkling of what was to come.

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The Over-used Trope for Character Development

Over the weekend, I watched Good Will Hunting. No, I’ve never seen the movie before even though it was released in 1997. That was the year I was working 40 hours a week at a garden centre, giving birth to my first child and settling into a new house, so I didn’t watch much of anything.

Throughout the movie, I was waiting for the inevitable. I say inevitable because many of the books I’ve read and the movies I’ve watched the past 20 years have used death to jolt the main character out of their ‘destructive’ daze and into change for the better. I’ve seen it so many times, I can often pick which character will be sacrificed for the good of character development. If it’s a character I’ve invested emotion in, I pull back before the death, knowing it’s coming. If I’m unaware, it feels like a betrayal by the writer.

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Automatic Writing or the Genius Named Jack

Twice within 24 hours this week, I was told, “Like automatic writing.” The first time someone said that was how I wrote, I considered it, but didn’t act to learn more about it. I assumed it was another term for those who wrote without using an outline, a writer who could let the creative juices flow and write that story quickly.

When someone else, unrelated to the first conversation said it, I had to look into it further. I’d never heard of automatic writing. Was it something new? Or something old but had recently made the headlines?

But let’s rewind a bit. My discussion previous to this comment was on writing a story and not knowing where that story was going. While I joked about the genius in the wall named Jack, who hung over my shoulder and told the story for me to record it, it’s actually what happens most days. For a few years, I’ve been saying that I’m not actually creating the story; I’m recording events that have already happened in another time and realm. At least that’s how it feels when I write my Castle Keepers epic fantasy series.

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J. R. R. Tolkien: Evoking Secondary Belief

I love ‘ah-ha’! moments especially when I find an explanation for something I’ve been trying to explain for years. In this case, the reason I write the stories I write has been answered by someone who also writes fantasy novels: J. R. R. Tolkien.

While I do not write in the same style of Tolkien, our goal is the same: to tell a story that evokes Secondary Belief (a belief up until yesterday, I had not heard about).

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Writing Characters Who are Consistent in Actions

A book I finished reading a few days ago has stayed on my mind; I can’t shake it. Not because it was a great story. It was an okay story. I’d rate it 3 of 5 stars. I seldom rate anything 5, so 4 is what I rate a book I really enjoyed reading.

The book is not stuck in my mind because it contained a life-changing message. It’s not because it made me think of the world from a different perspective.

The reason I can’t shake the book from my thoughts and why I can’t help but analyse characters in my novels is because of character consistency. I can accept a lot of twists, but my mind is tripping over the main character, let’s call her Jill, in this story. Here’s a brief description.

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My Readers are the Smartest on Earth

You read it here: my readers are the smartest on Earth. I won’t write down to them and make them feel stupid because they are not. They are wise, clever and enjoy puzzles.

I’ve had many suggestions from beta readers over the years to add clarification on certain sentences, certain dialogue, and while I accepted some, I’ve always fought against it. I understand the secret meanings behind specific sentences; why wouldn’t my readers? Why do I need to explain further? Isn’t that like explaining a punch line?

So what if they don’t get every punch line. Maybe the second time they read it, they will. They’ll enjoy the punch lines they get.

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Chemistry Between Characters

I was reading reviews last week for a book on Amazon. One of the main complaints by readers was there was no chemistry between the main characters who met and fell in love in the novel.

That got me thinking about my characters. Is there chemistry between them, particularly those in love? I didn’t take chemistry in high school, so it’s a subject I know little about. However, I did take years of physics, biology and astronomy, so I understand the law of attraction, friction, biological similarities, procreation and out of this world relationships.

When it comes to chemistry, I feel lost, unable to say if my characters have it because I am so close to them and I can’t define it. I can see chemistry between actors. Chris Hemsworth and Tom Hiddleston have great chemistry in the Thor movies. But what does that mean exactly? They have a come back for every line the other says? They work well together? They play off their shared past experiences?

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