Saturday Morning Briefs

One Self-publishing Success Story

“Twenty years from now you will be more disappointed by the things you didn’t do than by the ones you did do.” “After I clicked “publish” on Amazon’s Kindle Direct Publishing program, I sat back and waited for my life to change.

“It was as if I thought self-publishing my teen vampire novel, What Kills Me, would be transformative: kind of like when Prince Adam raises his sword and becomes He-Man. Following six months of writing and spending about $2,000 preparing my ebook for publication, by the power of Amazon, I was now an author.

“Except that putting your book for sale on Amazon feels like dropping a single grain into a bag of rice — you need to paint it green or point it out, or else how will anyone distinguish it from the rest? So nothing happened. And I felt no different.”

Many of us have held the He-Man sword, hoping for instant transformation. We learn quickly it doesn’t happen like that. This article was published in The National Post on December 14, 2012, but I feel it still provides inspiration to those thinking about self-publishing or those who are already on the path. To read the rest of the article, go here Self-publishers Can’t Afford Humility: How my self-published book became a Canadian bestseller in six months.

Eleven Reasons to Love Outlines

I write free style. I tried to be a writer who outlines stories, but I failed miserably even though I know there are many benefits to outlining. My brain is simply not wired that way.

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Do Writers Need Protection from their Failures and Successes to Continue to Write?

I recently watched a TED Talk video by Eat, Pray, Love author Elizabeth Gilbert. It was called Your Elusive Creative Genius.

Gilbert discussed the impossible expectations placed on artists, particularly authors. She admits, her greatest accomplishment—the Eat, Pray, Love novel—is probably behind her, so how is she to go forward and continue to write?

She takes us on a trip back in history, when the people of Ancient Greece and Ancient Rome believed spirits who lived within their walls visited artistic people. These invisible spirits assisted the writer, so the writer could not take full credit or all the criticism for the completed work.

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