I enjoy local stories that take place in rural settings, so when I read The Girl at the Top of the Tree, it struct a nerve. The story takes place in rural Nova Scotia, the Annapolis Valley to be exact, or as locals call it, The Valley. It starts several generations into the past, but quickly transports readers to the 1960s.
The brief family history tugs at my genealogical nerve, and I’m wondering about the surname and if I can find it on a census record. Details about the First and Second World Wars also pique my interest. I’ve done a lot of research on both because of family members, including my father, who served in them.
Many years ago, before self-publishing really took, the goal for many writers was to get a book permanently free at Amazon. It was relatively easy back then but for the past six years, Amazon has been reluctant to set books at permanently free. I was told the only way to do it was to set it for free at other vendors and hope (or scheme) customers would tell on you and Amazon would price match it. However, I’ve tried this several times over the years without luck. Until now.
I checked my sales record this week and discovered the book was being sold for free starting on May 9th. Yet, the book still showed a price of $0.99. Confused, I let it play out, watching my books be purchased for an invisible free price sticker. Last night, I checked again, and the Amazon sites finally revealed the true price: FREE.
Why do authors want a book permanently free? In my case, it’s because I want the first book in the series free in hopes the second book will be bought. Next spring, I hope to publish book 3 in the series, and with this boost in ‘sales’, it should do well. At least that is the hoped for outcome.
Last week I shared David Gaughran’s experience with Also Boughts at Amazon. Since then, he’s written a post to share more information on this subject from a different angle. Gaughran’s experience in analysing data such as this helps explain some of the mysteries behind how Amazon works. Read more about this in David Gaughran’s post Who’s Pointing at You.